
When painter Manora Fredrickson left Baltimore for a fixer-upper located in her ancestral Tyner, North Carolina, she figured she’d be getting away from the distractions of the city: the noise, the crime, the event invitations…her ex-husband. Happy to be a recluse at age twenty-eight, all Nora wants to do is paint, lick her wounds, and maybe sneak across the county line for some of Hattie’s artery-clogging fried chicken. Enter Matthew Vogel. His little piece of Tyner abuts Nora’s and from the moment the ...
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